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COLLECTION ~ by Ted Baker Reining
Horses |
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~ COLLECTION ~
Collection is just as much a part of a "finished" Western
horse as it is part of an English horse ... only more so. Talk to any
old cowboy, and he will give you negative comments about those
"folks and their flat saddles." By the same token, talk to any
Dressage queen, and she will tell you something negative about those
"ignorant cowboys". Well, they are both wrong. The qualities of movement and balance of a
collected horse have long been appreciated by top Western trainers. They
have taken the value of collection and added something to it -
"self carriage." Frankly, you won't win at the top levels of
reining, pleasure or most arena events without the benefits that
collection offers your performance. What is collection? It might be best to discuss what it "ain't"
first. It has nothing to do with where the head is. It has nothing to do
with breaking at the poll. It has nothing to do with the tightness or
looseness of your rein. Collection is a horse, whose muscles are relaxed, going forward,
with impulsion, in a manner that allows him to drive with his hocks,
elevate his shoulders, round his back from the tip of his tail to the
base of his ears while remaining soft through his poll and jaw, and can
carry that roundness and relaxation and impulsion through changes in
speed and body position through a variety of tasks. Relaxation of the muscles is a vital ingredient of collection. We are
asking the muscles to stretch throughout the top line, and lift on the
bottom line. These muscles cannot stretch if there is tension in them.
Most muscle tension comes from fear, or the feeling that the horse must
protect himself. It can come from anticipation of unpleasant things from
the bit, spur, leg or outside influences. Regular visitors to this site
have heard me harp on building trust in all your cues. This is the
reason. When these muscles are relaxed, the neck, jaw, poll and back remain
soft and pliable without tension. When that is the case, the horse can
be driven forward (impulsion) into a relaxed face. This engages his
hocks and makes them work harder - transferring the center of balance
towards the back end. The natural result of this action is a back that
lifts up through the shoulders and rounds down through the neck and
throughout the poll and jaw. When this occurs, you can receive the impulsion that is coming
through your horse's body into your hands. If your horse has remained
relaxed, you will feel a light pressure on the bit as if your horse is,
perhaps, balancing there. If this pressure becomes more than a light
"feel", your horse has stiffened up and begun to lean on your
hands. If it is too light, your horse has stiffened his jaw and is
"hiding" behind the bit. If I were to translate that pressure
into ounces, you might feel 4 or 5 ounces of pressure. If that pressure
feels like 3 or 4 pounds, you are not getting relaxation. Your horse is
leaning on you. If you feel no pressure at all, your horse is
"hiding behind the bit." When this occurs, you will have to continue to drive your horse
forward. If you lose the impulsion, your horse will "stall
out" because there is no tension in his body to keep him going
forward. His forward energy will just die. At first, you will have to
drive all the time. He will be working much harder to go the same pace.
As your horse becomes accustomed to this, however, he will begin to
carry himself with more impulsion of his own and less driving on your
part. As I said, the face will remain soft, if your horse is truly
collecting. As you are driving him forward and receiving the energy into
his face and through the reins, he will break or bend at the poll
presenting you with a head position that is more or less vertical. If
the head position is too far behind vertical, your horse is hiding from
the bit. If it is too far in front of vertical, your horse is not truly
collecting and using his back. He is probably stiff somewhere, and you
can feel that in your hands. Your horse's neck and head will probably drop below the line of the
withers as your horse seeks to round to the fullest extent. That will
depend, somewhat, on his conformation. You will also feel your horse
come DOWN to seek the balance that the bit offers if you have him on a
loose rein, and are not presenting the bit to him. On all horses, English and Western, this is the position I want to
teach my horse to collect. If you must raise your horse's head to go
English, teach your horse to collect this way first. Then, begin to work
on head position once you have a solid foundation on your horse at
whatever position you want. To teach my horse self-carriage in a collected manner, I will first
be certain that my horse is comfortable going in a collected frame at
all gaits. This may take some time on an older horse, but if you are
starting a colt, this will just fit in with his training as part of the
things that he does. I have started him in a way that he doesn't fear
the cues, but he DOES respect them. My first attempt at collection will
probably come on his first ride. I will introduce the rein cue to turn
to the left (for example). I will combine the rein cue with a leg cue
that will drive the horse forward into the rein, asking him to give to
the left, but also, down through the poll. This teaches him to give to
the rein in the direction I ask, but also through his body. He will
naturally have to raise his back and relax the muscles through his neck
to accomplish this. So, he has begun the kindergarten stage of a very
sophisticated horse on his first ride by learning to position his body
correctly and to accept the driving leg to help him achieve that
position. This colt never has to unlearn these things when you teach
them right in the first place. The first time I ask my colt to back, I will push him forward into
the bit. He doesn't know that the bit is bad ... so he has no reason to
try to avoid it. I will wait for him to show relaxation through his poll
and jaw and provide relief from the pressure. If I have taught him that
the driving leg says to go somewhere, he will probably give me a step
backwards by dropping his nose and neck and lifting his back to let the
energy go through, away from the blocking action of the bit. I have the
beginning of collection. I got sidetracked there. Teaching your horse "self
carriage". When your horse is able to go forward in all gaits
(including speeding up and slowing down at all gaits and, perhaps two
tracking or half passing), you can begin to teach your horse that he can
carry himself without the benefit of your hands. This is a simple
process, but it does take some time, and it requires that your horse be
traveling straight and in balance. Just throw some slack in the reins. At first, your horse will tend to
get "strung out" and fall forward onto his forehand. When this
happens, pick him up, drive him into the bit (always with a receiving
hand) and repeat the process when he feels as if he is moving right.
After you have repeated this process a few times, he will begin to carry
his collection for a few steps, and that should begin to increase. It
won't be long before he figures out that it is easier to stay collected
than it is to get strung out and then have to collect again. He will
gain some confidence that if he becomes "strung out" that you
will correct him. His self-carriage should begin to last longer and
longer. If you are working with a colt, this comes much quicker as you
can teach him self-carriage in little bits and pieces throughout the
process. It just happens as a natural part of the process rather than
being taught as a 'THING" he has to do. It is just in there. It can help to get this body position in the back up. I teach my
colts to back squares and circles while maintaining a rounded back and
soft neck and poll. I may back them five or six steps, then ask them to
step their shoulders to the left while maintaining a rounded back, neck
and poll and continuing backwards. It doesn't take them to long to like
this feeling of balance because it allows them to move their shoulders
around freely while the weight is transferred to the hind quarters. I
will also ask them to back circles by leaving their shoulder up and
moving the hip around in a circle. As this becomes a finished product, I
will back circles by keeping the body on an arc (while rounded in a
collected position) of the circle and moving the shoulders AND hips to
maintain the arc of the circle. Doing the back-up drills will help keep the shoulders and hips
lateral (moving to one side or the other). This will be a major
advantage to you when you begin to teach your horse such things as
sliding stops, lead changes, spins and roll backs. As your horse gets collected and is moving in a
"self-carriage" mode, you will find that he will want to drop
his head more and more. He will be trying to reach down to the bit to
"lean on your hand" for balance in order to make his job
easier. You can do what you want with this. If your are riding English,
you might want to accept this action and begin to bring your horse's
head up more. The way I handle this depends on the horse. Some horses go better
while balancing on the bit so, I will accept them there and let them
stay on the bit. This is usually a horse whose training has instilled
absolutely no fear of the bit. I know that if I move my hands, this
horse will not tense up against the bit, but will go WITH THE PRESSURE
rather than reacting against it. There is a fine line between your horse
being on the bit, and leaning on you. If the horse is leaning on you,
you must bump him off in a way that he can understand the difference
between leaning on you and feeling for you. When this happens, your
horse may get his head too low - down around his pasterns. You can
adjust your rein to put the head where you want it. Often, I will receive a horse to train who naturally tenses at the
action of the rein on the bit (this is usually the result of a bad
introduction to the bit in the first place). I will want to keep this
horse in complete self-carriage on a loose rein. That way, he knows that
the movement of the rein (if we are starting a turnaround for example)
is not going to result in something that he has to fear. I avoid his
negative reaction (that has been put in there, and can never be
completely erased) by teaching him to move off the pressure of the rein
rather than the pressure of the bit. His job is to move before the bit
makes contact. I will have to be extremely cautious in my action of the
reins in order to allow him to have the time to respond to the request I
am about to make. If I haven't been able to get a horse through this
problem, he is probably going to be a marginal performer at best. Soooo,
I actually want my horse to be coming down on the bit on his own. Now, what started off as self-carriage actually reverts back to my
horse being on the bit, but he is placing himself on the bit. I can put
him into a self-carriage mode (for a Western Pleasure class, for
example) by bumping him back off the bit and insisting that he carry
himself. But, for reiners, I actually prefer that they come to the bit on
their own. Through a reining pattern, they will tend to come on to the
bit and then go off it a little - back and forth. This is the natural
ebb and flow of their balance as they go through the pattern. For
example: in a large fast circle, I will throw the reins to them a little
more and ask them to stretch out and run, and they will usually raise up
above the bit a little as they flatten out and motor around. But, as I
sit down to go into a slow circle, I will shorten the reins, and give
them a place to help them get on the bit and balance to collect for the
change of speed. In a spin, they will usually be standing there in the middle, staying
a little bit above the bit. But, as I begin to move my reins, they
should reach down and try to pick up what that rein movement is trying
to tell them. As they begin the spin, they will probably stay there for
a couple of strides, but then go off on their own as they are putting
tremendous effort into the spin. All I want to do is to have them there
so I can tell them where to get started. If I try to have them on the
bit throughout the spin, my timing will be bad enough that I will get in
their way. They are free to come and go as they please. They might
actually come to the bit a time or two somewhere in the process of the
spin to help them balance. Boy, this sure gets convoluted and complicated doesn't it? Here, I
started out talking about collection and wound up talking about other
stuff. But, that is how inter-related everything is. You can't just work
on one part. It all fits into a puzzle, and every single part of the
puzzle is dependent on the other parts being right. This collection thing is vital if you are going to make finished
horses. For some of you, you might think it doesn't fit. That is OK.
But, if I were running barrels, I would want my horse to be able to
flatten out and run a hole in the wind, then come to my hands and
collect and get in balance so he can balance on his hocks to go around
the barrel. If I were roping the head end in team roping, I would want
my horse to chase that cow, then round his back and roll on his hocks to
turn that cow off to give my heeler the best shot. If I were a heeler, I
would want my horse to round up and fold in half when I got my dally.
This is where collection fits in. If I were riding a Dressage horse, I would want my horse on the bit
on his own. If you have to pull until your shoulders ache, your horse is
either laying on your hands and letting you carry him, or he is so stiff
that he is giving you the opposite of collection. Here is how you can
find out. Just ride along in what you think is collection, then throw
the reins away. The horse that is leaning on you will almost fall down.
The one who is stiffening up into you will bolt away. The horse that is
"in balance" won't change. Hope this helps and doesn't confuse anybody too much. It is a good
thing that it isn't a magazine article because it wanders around a lot,
and they would reject it. But, I hope you get the ideas, and aren't any
more confused than I am. |
The Judge's Choice is proud to present this article for your reading pleasure and sincerely thanks Ted Baker Reining Horses and Mr. Gary Baker for submitting it to our Library.
6/11/02